Neo Brutalism
Larry Fulton has a distinguished background in Art Direction and Production Design in the film Industry working on such films as 'The Doors', Fat Man and Little Boy" with Paul Newman, Fried Green Tomatoes, The Little Rascals, A Time to Kill, and with director M. Night Shyamalan on Signs, Unbreakable and the 6 Oscar nominated The Sixth Sense. He lives in Palm Springs and works out of his Studio 555 where his makes his Tiles and Totems and other works of Art.
TILES AND TOTEMS
THE DISCOVERY OF LANGUAGE FOUND THROUGH THE OBSERVATION OF THINGS DISCARDED AND DISREGARDED.
Artist Statement:
"My visual journey began in Palm Springs over ten years ago with my personal belief that the placement of the San Bernardino and the San Jacinto Mountains at the mouth of the Sonora Desert define a uniquely spiritual space.
In seeking my own path to making art that symbolized and defined this belief, I began to recognize a particular kind of beauty and meaning in objects that I discovered all over the desert floor. Objects that had been discarded and disregarded, things tossed aside, considered without worth and without value.
THE BIRTH OF THE TILES
At first these were small objects that communicated in themselves a shape or design that spoke to me of a larger universe. I began by organizing these objects into groups and by pressing them into clay in order to reveal their alternative negative and positive shapes. In doing so I also began to discover that by linking these clay tiles together a mysterious language and sense of meaning emerged. I felt that I was discovering a language that was possibly forgotten or perhaps never previously revealed. For me it was the language that represents the “spirit of place”.
I worked for two years unearthing this language piece by piece, every new found object, bottle cap or gear adding to the special lexicon and alphabet. I felt that I was not only discovering a group of signs and symbols, but that by putting them together into a tapestry or bas relief, a particular message was beginning to emerge.
One day my work stopped. I sat in the studio surrounded by walls of text, knowing that there was something being said, but unable to decipher the code. I came and went daily, unable to understand but knowing that I had to learn to read and to listen more closely.
THE BIRTH OF THE TOTEMS
After six months of listening to the surfaces of the tiles I began to hear their story.
The next step in revealing the” spirit of place” was to move on from exposing a two dimensional language to excavating a world that arose from the ground and stood up in a three dimensional space.
And so I suddenly turned to larger found objects that lived in the same universe of the discarded. I began to notice the forms and shapes rendered within packing materials, cardboard and styrofoam that had been created to protect and to contain other things that were specifically considered the things of “true” value. In studying these forms and shapes and by casting them in plaster and concrete,
I revealed a series of what I call totems or guardian spirits.
These totems represent the three dimensional symbolic sources of energy, both masculine and feminine, positive and negative, (TOTEMS) that together with their two dimensional relatives (TILES) speak of the power that exists within the spirit of the mountains and the desert that surround us.
They are both ancient and modern, refined and brutal, crude and elegant. Together they represent a world of spirit that is all around us."
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